Things I am involved with
The Immaterial Salon
Thanks to curator Francesca Zappia (one-third of C-E-A – French Association of Curators), rabbitcottontoothcottonrabbit is part of The Immaterial Salon, a curated digital programme which runs alongside the IRL ART-O-RAMA, Marseille, 25-28 August 2022. The Immaterial Salon expands C-E-A’s SIX YEARS Project into the digital realm and will be accessible beyond ART-O-RAMA’s dates (more to…
Read MoreMurky Waters
Delighted to report that The Man Who Fell to Millom is screening as part of Art Walk Project’s Murky Waters in bonny Portabello… MURKY WATERS curated by Rosy Naylor – Portobello Promenade, by Pipe Street (D)8.30 – 9.40pm Saturday 10 September 2022with screenings at Art Walk Hub, in SALT, 1-11 September 2022 MURKY WATERS explores…
Read MoreGothic Nature Journal: New Directions in Ecohorror and the EcoGothic
The Man Who Fell to Millom (2018) is part of Gothic Nature Journal Issue III. Download it here. Huge thanks to Editors-in-Chief Dr Elizabeth Parker, Dr Michelle Poland and Dr Harriet Stilley for the inclusion. Read all Gothic Nature editions at https://gothicnaturejournal.com/
Read MoreNeMLA 53rd Annual Convention 2022
Delighted to be given the opportunity to present remotely at the Northeast Modern Language Association 53rd Annual Convention this year – my second contribution to this friendly, interdisciplinary affair. I was discussing the flick book A 35mm 208-ish Frame Version of Blade Runner (2018) in the context of literary and film adaptation. Thank you Bill…
Read MoreCommunication Measures to Bridge 4.543 Billion Years – GeoWeek at the University of Cumbria Institute of Arts
Last week I met with many heartily missed friends at UoCIoA to deliver this brief introduction to The Man Who Fell to Millom… In 2018 I was commissioned by Irene Rogan, Director of the Moving Mountains Festival (in Millom, Cumbria) to make a film about the operational Ghyll Scaur Quarry. However, after visiting the quarry…
Read MoreGrinning near some cats
GoMA commissioned the always delightful Alan Dimmick to take some snaps of me. Here they are… I was going for Nick Drake with kittens, like a 1990/2020 mashup.
Read More8×6 Launch of Anderson Gallery, Carpenter’s Wharf
Thanks to Alexander James Pollard for inviting me to exhibit at the launch of Anderson Gallery, Carpenter’s Wharf, London alongside a vast guest list which includes Phyllida Barlow and Keith Tyson. Thanks too to fellow exhibitor Laura Yuile who organised essential paraphernalia – we last showed together at The Influencing Machine, nGbK, Berlin in 2019.…
Read MoreA Thing What I Wrote (2020)
Delivered to the University of Cumbria Research Office, Lancaster in a suitcase at 3.30pm on Thursday 27th February 2020. Thankfully then Professor Robert Williams and family took me out for a pint. Now I have no idea what to do with myself… The Peter & nou Handbook: A Field Guide to a Speculative Practice (So…
Read MoreDomestic Bliss – GoMA, Glasgow
Pop into Domestic Bliss up in Gallery 4 of GoMA when you are passing. Katie Bruce’s exhibition makes the space seem like new. My work, based on the life of Carson McCullers and from my solo show They are the We of Me (GoMA, 2006) gets to hang out with works by Jacqueline Donachie and…
Read MoreThe Influencing Machine at nGbK, Berlin – an update
Get along to this brilliant show if you’re in Berlin… Great work, so perfectly installed – thank you to everyone at nGbK and the curatorial team of The Influencing Machine. What a belter to be involved with. neue Gesellschaft für bildende Kunst Exhibition The Influencing Machine Saturday, 01 December 2018 — Sunday, 20 January 2019 Adress: nGbK,…
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