NeMLA 53rd Annual Convention 2022

Delighted to be given the opportunity to present remotely at the Northeast Modern Language Association 53rd Annual Convention this year – my second contribution to this friendly, interdisciplinary affair. I was discussing the flick book A 35mm 208-ish Frame Version of Blade Runner (2018) in the context of literary and film adaptation. Thank you Bill…

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Antennae – Issue 50 Spring 2020

In this issue of Antennae sits Shooting the Messenger, an essay by Snæbjörnsdóttir/Wilson (pp118-135). A delight to have the video Peter (2014) discussed here in this fresh context. Thank you MW. Here’s Snæbjörnsdóttir/Wilson’s introduction to the piece: ‘In these years, the sea and its behaviours increasingly serve as an urgent and unrelenting reminder of global…

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Peter & nou – new images

Shot by designer Matthew Walkerdine for his website, I’ve half inched these gorgeous new images of Peter & nou. All those ‘corrections’ in Peter – the scoring out, line by line – were drawn by me and then scanned and overlaid on the original text by Matt, and he didn’t bat an eye. Matt is,…

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Peter & nou – The book(s)

Here’s my new publication, Peter & nou. Matt and Jess at Good Press organised this and Matthew Walkerdine designed it too. It’s element heavy, with a sticker of a lab rat in a kaleidoscopic space/time traveling tunnel included for you, gratis. You’re welcome. It comprises a book called Peter (like the film Peter, 2014), a book…

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Eggs and Aliens (2018)

This text was adapted to be part of a performance that happened as part of Alchemy: The Curios Society at Whitechapel Gallery in 2018. The text was read by Fiona, the digital Scottish Female voice found in Word, slowed down as far as she goes. Prof. Robert Williams progressed the slides on Fiona’s command. Robert…

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Transit #3 and everything crooked will become straight

Transit#3

Published on the occasion of TRANSIT #3 and everything crooked will become straight, Glasgow Short Film Festival 2016, curated by Transit Arts, March 2016. Including contributions from Marcus Jack, Denise Bonetti, Jane Topping, and Stephen Nelson. Black risograph print with red card cover, designed by Marcus Jack.137 x 194mm, 36pp Edition of 120Signed and numbered As I’m not going…

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