Los Angeles Plays Itself

Screen Shot, Los Angeles Plays Itself, 2003

Thanks to Lorna MacIntyre, I’m hunkered down in the studio, watching Thom Andersen’s 2003 video essay on his home town. It’s sensational. Here’s a link to what Open Culture has to say on the subject – and how you can watch it too.

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Pieter Bruegel, a low level obsession continues

Detail from In Spain there was Guernica, They Are the We of Me, GoMA, 2005

I’ve long used Bruegel in my work and been fascinated by the uses others make of his imagery. Tarkovsky as a way to search for a memory of humanity (Solaris, 1972), Von Trier as a pessimistic nod to Tarkovsky (Melancholia, 2011) and Roeg more simply to connect Rip Torn to Our David while their characters…

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Dinosaur Expert I’m Feeling Lucky

Gregor Wright

You have got to go see Gregor Wright’s show at the CCA. I loved his GI show and this one has even more dinosaurs in it. Plus, you can come away with your own limited edition, erm, stegosaurus or similar  I think,  from Welcome Home.

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Turner Prize 2014

Ciara Phillips, Things Shared, 2014

What a treat to go to the Turner Prize opening on Monday. Ciara and Duncan’s work looked fantastic and what with all the Glasgow folk there, it was just like a Transmission trip of old. Thank you Ciara! Check out Ciara Phillips’ work here. Check out Duncan Campbell’s work here.

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Trisha Donnelly

Trisha Donnelly

Loved this at The Serpentine at the weekend. Take a look at her online film here too. Trisha Donnelly, Serpentine Gallery, London, 17 September – 9 November 2014. INTRODUCTION ‘Some of the objects are sounds; some of the sounds are drawings, but I think that the drawings that I do are more of a physical…

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Hito Steyeri – Lovely Andrea

Lovely Andrea, 2007

Clare Stephenson recommended this 2007 film by Hito Steyeri, made for Documenta 12. And she was right to. Lovely Andrea And here’s an Afterall article by Pablo Lafuente on that and her film, November: For a Populist Cinema: On Hito Steyerl’s November and Lovely Andrea

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No Other Possibility

Negativland still

Ahhhh, my new favourite thing, Negativland. So this is my new favourite film. Made in ’89. I don’t have favourite years. No Other Possibility

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Are you LOCATIONALIZED

Are You Locationalized, Tatham & O'Sullivan, 2014.

Running into Tom O’Sullivan on Friday reminded me how much I’m into Tatham and O’Sullivan’s new work for Generation. It’s all about the new, super-positive, intergalactic colour scheme for me. See works in Skye and North Uist: Are you LOCATIONALIZED

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