Things I have made
Teeth II
Watch Teeth II – Like Dylan, I’ve gone electric.
Read MoreDeckard’s Other Dream
I should be doing other things. I made this instead.
Read MoreTeeth at FILM OPEN 2015
Teeth (2:19 mins, 2014) has been selected for FILM OPEN. It’ll be screened in Spike Open (1-4 May 2105). The programme will then travel on to Eastside Projects, Birmingham, Transmission, Glasgow, Castlefield Gallery, Manchester, S1 Artspace, Sheffield and ICA London.
Read More31st Hamburg Short Film Festival June 2015
Peter has been selected for the No Budget Competition of the 31st Hamburg Short Film Festival. I’ll be introducing 2 screenings on the 10th and the 12th June 2015. Here’s a little bit about the festival: HAMBURG INTERNATIONALE SHORT FILM FESTIVAL No other form of cinematic art is as open, experimental, fast, courageous, abstract, hard,…
Read MoreTEEEEE shirts. Get your totalitarian PE Kit referencing Teeeee shirts…
Get to Culture Label and buy yourself the perfect spring/summer garment for your top half. There ain’t many left…
Read MoreIt’s Not Exactly a Real Love Scene, Really
A wee sketch of a film I made today. Watch it here.
Read MoreLet’s Not Talk About Money
If you have 4 minutes to spare, take a look my new short film Let’s Not Talk About Money
Read MorePieter Bruegel, a low level obsession continues
I’ve long used Bruegel in my work and been fascinated by the uses others make of his imagery. Tarkovsky as a way to search for a memory of humanity (Solaris, 1972), Von Trier as a pessimistic nod to Tarkovsky (Melancholia, 2011) and Roeg more simply to connect Rip Torn to Our David while their characters…
Read MoreVicki and Alex, Like the Clouds
Here are a few screenshots from a film I’ve just finished, Vicki and Alex, Like the Clouds. Ostensibly it’s about a photograph.
Read MoreFurther Rigour Urgently Required
Thought you might enjoy this scathing review of my GoMA show in 2005 that I’ve just found online. I used to know who wrote it, but I don’t expect it matters. In summary: Local journalist is outraged by artist’s interest in process, her expectations of her audience and the anti-didactic black abyss that is work…
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