Things I am involved with
Screen Used…
…opens tonight at Patricia Fleming Projects… Here is what you can expect…
Read MoreTransit Zines – Aye Aye Books – CCA
You can now grab any of the Transit publications for £5 at Aye- AyeBooks in CCA Glasgow, or online at transitarts.bigcartel.com Each limited-run zine contains experimental writing and image-based work in beautiful risograph print from the folks at Footprint Workers Co-op.
Read MoreIKFF – NoBudget Jury Statement
NO BUDGET COMPETITION Statement
Read MoreIKFF – Thank you
The Nabokov Paper Returns
There will be a small installation of The Nabokov Paper at Forms of Criticism, organized by Kaja Marczewska of the University of Westminster at Parasol Unit on June 30th. More info here.
Read MoreIKFF – An impeccable jury team
I was hugely fortunate to team up with Siegfried Alexander Frauhauf and Christoph Girardet as the NoBudget Jury. Smart conversation and hilarious wurst coin debates were but the tip of the iceberg – what a team. Sigi was also showing Vintage Print (2015) in the International Competition and Christoph personne (2016), made with long time collaborator Matthias Müller.
Read MoreIKFF continued II
And here, watching and announcing at the presentations for the winning films.
Read MoreIKFF continued
Spot the Topping – here I am on the opening night and at the first NoBudget Screening at the NoBudget Hotel.
Read More32nd Hamburg Short Film Festival (IKFF)
There’s too much to squeeze into one post about my time on the NoBudget Competition jury, so here’s the first of many. Worthy winner was The Masked Monkeys by Anja Dornieden and Juan David Gonzalez Monroy. Read about it here and (how’s your German?) here.
Read MorePeter screened with Transit
‘For its third episode, the roving screen presented a selection of moving image work by Dorine Aguerre, Miles Joseph, Lucie Rachel, Jane Topping, and Josie Rae Turnbull. With narrative film the dominant aesthetic, these artists choose a more transgressive approach: bending, rearranging, and rewriting the record. Momentarily, the screen becomes a palimpsest of ideas and…
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