Jane Topping (she/her) is an artist and lecturer at the Glasgow School of Art. Her interdisciplinary practice meddles with science fiction and horror, the archive and the screen, hysteria, nostalgia and cats, sometimes meandering towards autofiction or delving into the literature and lives of writers, including Naomi Mitchison (1897-1999).

Recent outings for her practice include the publications React! React! React! (Good Press, 2025) & Shit Hair (2024), conference The Cloud of Unknowing: Encounters with the UFO Phenomenon (Mildred’s Lane, New York, 2024) solo exhibition Drew Barrymore's Island Hotel from Hell (Patricia Fleming, Glasgow 2023), Queereal Secretions (Annex Gallery, GSA, 2023), Fiction Machines IV (Bath School of Art, Film & Media, 20 July 2023),  Feminist Histories of the Future (Henry Moore Institute, Leeds, 2023), Murky Waters (Edinburgh, 2022), The Immaterial Salon (Marseilles, 2022), Gothic Nature Journal III: Haunted Shores (2022) and The Influencing Machine (nGbK, Berlin, 2018).

Topping gained her PhD in Fine Art Practice in 2021 with the thesis: The Peter & nou Handbook: A Field Guide to an SF Practice (So Far).

Topping’s video Peter won Best PKD Short at The Fifth Annual Philip K. Dick Science Fiction Film Festival, New York, 2017. Topping was a recipient of a Hospitalfield summer residency (Arbroath 2017) and was on the jury of the No Budget Competition at the 32nd Hamburg International Short Film Festival (2016).