Thought you might enjoy this scathing review of my GoMA show in 2005 that I’ve just found online. I used to know who wrote it, but I don’t expect it matters. In summary:

Local journalist is outraged by artist’s interest in process, her expectations of her audience and the anti-didactic black abyss that is work open to multiple interpretations. Yikes! Thank goodness Laurie’s essay was in place to help. Hatchets aloft as we collectively yearn for the days of Rembrandt or Renoir…

When Putting the Process First Leads to a Journey Without End