Archives

April, 2017

Peter in The 5th Annual Philip K. Dick Science Fiction Film Festival…update…

The full programme has been announced, and it looks fascinating

Peter screening details are: Monday, May 29, 2017, The Producers Club, THE COURTHOUSE THEATRE, 358 West 44th Street, New York, NY 10036.

Full Programme here.

Peter (Screen Shot) Digital film 29:55, 2014, Jane Topping.

Cheers!

Free Fire

The new Ben Wheatley/Amy Jump film is so well written, there’s not a bullet that doesn’t count. The only downside for me is genre, but that’s a personal thing, init. When there’s a Wheatley/Jump American high school film out…

Free Fire Trailer but don’t watch this before you get to the pictures…

Interview here.

       

Twilight City, 1989

Made for Channel 4, Black Audio Film Collective’s Twilight City is the absolute, no question, stand-out work at the CCA’s The Sky is Falling show. Get along, get comfy and watch it all…

Trailers for three other Black Audio Film Collective works here.

Blade Runner 2049

Here’s the trailer.

Here’s an nme article.

It looks like it’s a geekfest of refs – Officer K indeed! I’m excited though.

Men – in the future.

Berlin Report

Ably assisted by the students of University of Cumbria Institute of the Arts, I saw some things in Berlin. A man walking a pig, for instance.

I also saw a lot of art ‘n’ that. One post only, as you’ll be familiar with the itinerary…

Along with the big work by big lads, the Hamburger Bahnhof had a magnificent Adrian Piper show on, The Probable Trust Registry: The Rules of the Game #1-3, (numbers one and two, nosey) and the usual strip of belters (including Thomas Schütte, Pipilotti Rist and Isa Genzken/Wolfgang Tillmans).

The Bauhaus Archiv remains intact, this week showing loads of images of lassies in shorts, lassies on stairs, lassies doing gymnastics (the odd male Bauhaus student was photographed too, mostly in their suits strangely: ah, they were different times) and there is a show by Jasper Morrison too. He gives good fork.

Buchholtz Galerie was looking wealthy, I don’t think we need to worry about them, but my favourite bits of the current show, full of favourites (inc. Trisha Donnelly and Mark Leckey), were actually the photos by Hervé Guibert. A bit of the PR blurb: The writer and photographer Hervé Guibert travelled to Japan in 1984 for the newspaper Le Monde to visit Akira Kurosawa on the set of his film Ran. Despite the title of these photographs – “Tournage Ran II & III” – these two are the only known prints that Guibert made from this visit. They show extras on the film set in soldier costumes as they doze or rehearse poses in a wooden fortress.

Loads going on at KW Institute of Contemporary Art. Hanne Lippard’s audio piece Flesh was the stand out for me.

At C/O was Watched! Surveillance, Art & Photography which was a little like a mini Electronic Superhighway, including the ubiquitous Hito Steyerl (I just can’t get enough, it’s fine) and a brilliant but too wee installation by Meriç Algün Ringborg, Doppelgänger, from Which No One Will Ever See, 2012.

Cindy Sherman was at SPRÜTH MAGERS. If you like this sort of thing? asks SM, and I do.

The Jewish Museum had on Cherchez la Femme, which included lots of wig info – you know I love that. And that space, the one that gives your body a tiny inkling. More on the building here.

Tschüss!